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Berkeley: Departments and Programs
Theater, Dance, and
Performance Studies
Transportation Engineering
Theater, Dance, and Performance Studies
The Department of Dramatic Art was established
in 1941, but the cause of educational theater on the Berkeley campus
was served by a variety of organizations almost from the beginning
of the University. The first production on record was a "romantic
Italian drama in three acts entitled Marco Spada" presented
by the University Dramatic Association on May 20, 1870 during the
second semester of University instruction. The University Dramatic
Society was founded in April, 1877, and the Berkeley Dramatic Club,
in October, 1878. In the early 1890s, Louis Dupont Syle, a member
of the Department of English, directed students in the production
of full-length plays of serious content. Campus theatrical activity
was furthered by President Benjamin Ide Wheeler in the early years
of the twentieth century, notably by conceiving of the Greek Theatre,
built in 1903 in a natural amphitheater used for productions since
1894.
The Greek Theatre was opened with a production
by students of Aristophanes' The Birds in Greek on September
24, 1903, under the direction of James T. Allen. Thereafter, under
the management of a committee chaired by William Dallam Armes, it
formed a stage for many student productions and for professional
actors, among whom were Ben Greet, Mme. Sarah Bernhardt, Maude Adams,
Nance O'Neill, Sothern and Marlowe, Robert Mantell, and notably,
Margaret Anglin, who appeared in revivals of Greek drama at intervals
from 1910 until 1926. Student productions were continued under the
direction of Charles D. von Neumayer and by the English Club, under
the direction of Garnet Holme. In 1920, the Greek Theatre Players,
under the direction of Samuel J. Hume, assisted by Irving Pichel,
replaced the English Club productions.
Dramatic activity under student auspices began
in 1922 with a production in Hearst Gymnasium of Harley Granville-Barker's
Prunella directed by Morris Ankrum.
For the next 20 years, the Associated Students'
"little theatre without a theater" produced student plays under
such directors as Baldwin McGaw, Michael Raffetto, Nester Paiva,
Everett Glass, and from 1931-40, Edwin Duerr.
The Department of Dramatic Art, under the chairmanship
of Benjamin H. Lehman, replaced the organized student activity in
1941, and a formal major program was instituted in 1945. Fred Orin
Harris became chairman in 1944, a post he held until 1960, when
he was replaced by Travis Bogard. Under the chairmanship of Harris,
the department began a play production of distinguished dramas of
all countries and periods, among which were memorable presentations
of Shakespeare's King Lear, Aeschylus' Oresteia, and
Eugene O'Neill's Lazarus Laughed, all under Harris' direction.
At the same time the course offerings were developed into a significant
academic discipline.
In 1961, under Bogard's chairmanship, the
department instituted a program of study leading to the master of
arts degree, and in 1965, it offered the first Ph.D. degree program
in drama at the University of California. At the same time, the
play production program expanded both its major production schedule
and its studio workshop presentations to a point where its productions
were attended by approximately 36,500 persons yearly. Productions
of note included Shakespeare's Antony and Cleopatra directed
in the Greek Theatre by Miss Margaret Webster, and Sophocles' Antigone,
directed by Takis Muzenidis, director of the Greek National Theatre.
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